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There's an assumption that writers shouldn’t be writing about groups they don't belong to, as if this couldn’t be done with honesty and insight, respect and restraint. Difficult, yes, but impossible? Whether in fiction or non-fiction, outsiders might misunderstand and misrepresent the people they depict, but sometimes, insiders will too. Sometimes, outsiders will lack insight, but sometimes, when they’re curious, attentive, when they do not overreach, they’ll capture truth.
The beauty of questions is they remind us that we do not know, even as they lure us into their openness. Questions are rarely ever closed or settled. Honner’s books are built around questions. ‘If God made the world, who made God?’ Or, leaving behind pure speculation, ‘Why doesn’t God answer my prayers?’ These are deep mysteries, but they are not meaningless mysteries, Honner says.
The shards are earthenware with geometric or figurative coloured patterns. Their cracked glazes and ragged edges echo the outback raw aesthetic, and allude to the ongoing challenging narratives of Broken Hill. Now they are sitting large on my desk claiming a distinctive extraction value from a mining city, and whispering, like books on a homely shelf, an intimate lasting merit.
My mother often reminded us that she was the same age as the queen. They were both stoic to the point of being difficult to understand. There was never any doubt that, living by their lights, they would spend every breath doing what they felt called to do. Self-indulgence was hardly part of their vocabulary; along with that, they didn’t indulge others much either. The generation of 1926 was made of sturdy timber.
The Way had been a community of homeless people, built around difficult but wonderful characters. It taught me more than I can easily say. It was a world where things were not always as they seemed and people did not fit into little boxes. We had many challenging days and relationships with our guys were seldom easy, but there was an energy that found light in unexpected places.
With many types of fathering in a wide range of ethnic, cultural, and social situations by separated dads, stepdads, gay dads, uncles, and grandpas, as we celebrate today’s dads, it’s good to think about fatherhood and parenting myths and how they stack up in an ever-changing world.
The subject of this Stray Thought is not sleazy thoughts. It is rather the thought of becoming a lion tamer which might steal upon a person focused from childhood on being a musician with all the sacrifices that this choice has entailed. Or the thought that might lead a soccer goalie to leave his position and go forward to score a winning goal for his team. Naughty thoughts are secret, personal and disruptive. They defy the conventional wisdom we have accepted about career, security and responsibility.
Is ruthlessness an essential part of sporting success? Or are players better off remembering how lucky they are, have fun, and allow good things to happen to them by treating people with compassion and playing with joy?
The successful implementation of the spirit and the letter of the Plenary Council must involve the Catholic education sector. Catholic schools, meaning students, parents, staff members and governing bodies, are one of the most vital sectors of the church along with the health sector. They must be convinced to engage with and support the reform outcomes of the Plenary Council.
Few Australians of Irish descent will now be familiar with this history and the experience that accompanied it. They would see themselves as simply Australian. But the emphasis on social justice, the recognition of the value of community, and the concern for people who are marginal that are communicated through Catholic schools and the sympathy with the underdog owe much to the Irish heritage.
Headlines in print (newspapers and magazines) have some heavy lifting to do. They need to convey the essence of the story in as few words as possible, be enticing and hopefully be funny, clever or both. In traditional news terms, you should know what the story says from the heading, intro and first paragraph. However, the funny thing about being funny (especially with word play) is you’re assuming your audience knows the same things you do.
Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
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